llustrator T.L. McBeth scales way, way back, creating an almost entirely character-based book that focuses on feelings and reactions rather than setting and scenery. The pops of color and texture among white backgrounds and bold black lines are provided by photographic images of little knit sweaters (or dresses, or sweater-dresses)--to great effect.
     Cleverly conceived and charmingly executed, this book pairs well with Neither, by Airlie Anderson. And in a world of shorter and shorter picture books, Ogilvy has just a bit more content, plus a fun rhyming structure and strong story construction, which makes me want to recommended it for multiple readings on home bookshelves.

   Picture book writers, take note. This is how an artist can take emotional moments and run with them. When you understate the text in the peak emotional moments of your story, you do yourself, your reader, and your illustrator a favor. If you pick up a copy of this book, just look at Jamie's facial expressions. Seeing how she feels is far better than being told. When we see how she feels, we feel it too. A picture pulls the reader in.
   The story is 158 words, people. 158 words!
   Here's a great interview with Matt Myers  and a brilliant quote--"A picture book is not called a word book, after all.  If you love language, show your love by making a few words feel special. Let the pictures write a line for you."
   This is Myers' debut as both author and illustrator, and he does a superior job at both. Hum and Swish is a great mentor text for those of us who only write.
   With art that's both playful and rich in feeling, Hum and Swish turns a simple scene of a girl playing in the sand into a portrait of an artist that says something profound about creativity, childhood, and living in the moment.
   Oh, and it's from Neal Porter's new imprint at Holiday House so...no wonder it's good.